List of selected publications
Arandas, L., Ionescu, I., Khan, M., Grierson, M., Carvalhais, M. (2025). All YIN No YANG: Geometric Abstraction of Oil Paintings with Trained Models, Noise and Self-reference. In: Machado, P., Johnson, C., Santos, I. (eds) Artificial Intelligence in Music, Sound, Art and Design. EvoMUSART 2025. Lecture Notes in Computer Science, vol 15611. Springer, Cham. https://doi.org/10.1007/978-3-031-90167-6_17.
Arandas, Luís; Sarmento, Pedro; Grierson, Mick; Carvalhais, Miguel (2024) Editing Video Streams Through Natural Language Embeddings: Keyframe Sequencing Using Transformers. In Adriana Sá (ed) Live Interfaces journal vol. 2 (Univ. Lusófona/ CICANT). ISSN 2975-9943.
Arandas, L., Ionescu, I., Khan, M., Grierson, M., Carvalhais, M. (2023). All YIN No YANG: Automating Language-guided Diffusion Systems in Search of Abstraction. Book of abstracts "Explorations in Sound and New Media Art Conference" (ESNMAC). Published, artes.porto.ucp.pt.
Arandas, L., Grierson, M. & Carvalhais, M. (2023). Antagonising explanation and revealing bias directly through sequencing and multimodal inference. In the 1st International Workshop on Explainable AI for the Arts, ACM Creativity and Cognition (C&C).
Arandas, L., McDonough, K., Grierson, M. & Carvalhais, M. (2023). Man lost in the convergence of time, Avebury (2022): Reconfiguring film through human figure removal and collage. Proceedings of Intermediartes - Media, Artes e Interação (2023, Portugal).
Arandas, L., Grierson, M. & Carvalhais, M. (2023). Computing Short Films Using Language-guided Diffusion and Vocoding Through Virtual Timelines of Summaries. INSAM, Journal of Contemporary Music, Art and Technology, ISSN:2637-1898.
Arandas, L. (2023). Irreplaceable Biography: Possible futures of AI filmmaking regarding a model's filter of reality. Proceedings of xCoAx – Conference on Computation, Communication, Aesthetics and X at Weimar (Germany). ISBN:978-989-9049-52-9.
Panal, G., & Arandas, L. (2022). Beat Byte Bot: a bot-based system architecture for audio cataloguing and proliferation with neural networks and Linked Data. Extended abstract on Digital Music Research Workshop, Queen Mary University of London.
Arandas, L. H. & Penha, R. (2022). Sttera: Software for Audio Recognition and Orchestration as Medium for Music Ritual, Journal of Creative Music Systems (JCMS). 6(1). https://doi.org/10.5920/jcms.847.
Panal, G., & Arandas, L. (2021). Beat Byte Bot: A Chatbot Architecture for Web-based Audio Management. In Proceedings of the 11th Workshop on Ubiquitous Music (UbiMus 2021) (pp. 72-82). g-ubimus. ISBN: 978-65-00-30880-8.
Arandas, L., Gomes, J. A., & Penha, R. (2021). Akson, an Audio-Visual Environment for Networked Interaction and Performance. Journal of Science and Technology of the Arts (JSTA), 13(2), 142-158. https://doi.org/10.34632/jsta.2021.9448.
Arandas, L., Grierson, M., & Carvalhais, M. (2020). Continuous Contributions of Artificial Agents in Performance Regarding Static Artefacts. Artificial Creativity Conference, Malmö, Sweden – Extended abstract URN: urn:nbn:se:mau:diva-36965.
Arandas, L., Carvalhais, M., Grierson, M., Bernardes, G., & Penha, R. (2020). Facing a Middle-Ground of Symbolic Importance in Artificial Co-Creative Systems. Proceedings of the Workshop on the Future of Co-Creative Systems - 11th International Conference on Computational Creativity, Portugal (ICCC 2020).
Arandas, L. (2020). Artificial Intelligence and the Arts: A Performative Approach to Metacreation. Proceedings of xCoAx – Conference on Computation, Communication, Aesthetics and X at Graz, Austria. ISBN: 978-989-746-266-5.
Arandas, L., Gomes, J., & Penha, R. (2020) Directing Selfness – A Step Back from Digital Collaboration on Stage. Proceedings of the 5th International Conference on Live Interfaces (ICLI). Trondheim, Norway. ISSN 2663-9041.
Arandas, L., Gomes, J., & Penha, R. (2019) Towards Large-Scale Artistic Practice with Web Technologies. Proceedings of the Web Audio Conference (WAC). Trondheim, Norway. ISSN: 2663-5844.
Arandas, L., Gomes, J., & Penha, R. (2019) Wireplex, An Extended Flow of Data as Distributed Sound Sculpture. Proceedings of the Web Audio Conference (WAC). Trondheim, Norway. ISSN: 2663-5844.
Arandas, L., Gomes, J., & Penha, R., Bernardes, G. (2019) Never The Less: A Performance on Networked Art. Proceedings of xCoAx – Conference on Computation, Communication, Aesthetics and X at Milan, Italy. ISBN: 978-989-746-220-7.