even if I don't let go of the urge to rewrite, it happened
a map of part of what happened
Arandas, L., Grierson, M. & Carvalhais, M. (2023). Antagonising explanation and revealing bias directly through sequencing and multimodal inference. In the 1st International Workshop on Explainable AI for the Arts, ACM Creativity and Cognition (C&C).
Arandas, L., McDonough, K., Grierson, M. & Carvalhais, M. (2023). man lost in the convergence of time, Avebury (2022): Reconfiguring film through human figure removal and collage. Proceedings of Intermediartes'23.
Arandas, L., Grierson, M. & Carvalhais, M. (2023). Computing short films using language-guided diffusion and vocoding through virtual timelines of summaries. INSAM, Journal of Contemporary Music, Art and Technology, issn:2637-1898.
Arandas, L. (2023). Irreplaceable Biography: Possible futures of AI filmmaking regarding a model's filter of reality. Proceedings of xCoAx – Conference on Computation, Communication, Aesthetics and X at Weimar, Germany.
Panal, G., & Arandas, L. (2022). Beat Byte Bot: a bot-based system architecture for audio cataloguing and proliferation with neural networks and Linked Data. Extended abstract on Digital Music Research Workshop, Queen Mary University of London.
Arandas, L. H. & Penha, R. (2022) “Sttera: Software for Audio Recognition and Orchestration as Medium for Music Ritual”, Journal of Creative Music Systems. 6(1). doi: https://doi.org/10.5920/jcms.847.
Panal, G., & Arandas, L. (2021). Beat Byte Bot: A Chatbot Architecture for Web-based Audio Management. In Proceedings of the 11th Workshop on Ubiquitous Music (UbiMus 2021) (pp. 72-82). g-ubimus.
Arandas, L., Gomes, J. A., & Penha, R. (2021). Akson, an Audio-Visual Environment for Networked Interaction and Performance. Journal of Science and Technology of the Arts, 13(2), 142-158.
Arandas, L., Grierson, M., & Carvalhais, M. (2020) “Continuous Contributions of Artificial Agents in Performance Regarding Static Artefacts.” Artificial Creativity Conference, Malmö, Sweden. – Extended abstract URN: urn:nbn:se:mau:diva-36965.
Arandas, L., Grierson, M., & Carvalhais, M. (2020) “Sonic and Visual Relationships: The Mind, Contemporary Composition and Complex Signals.” Proceedings of the Sound, Image and Interaction Design Symposium, Madeira, Portugal.
Arandas, L., Carvalhais, M., Grierson, M., Bernardes, G., & Penha, R. (2020) “Facing a Middle-Ground of Symbolic Importance in Artificial Co-Creative Systems.” Proceedings of the workshop on the Future of Co-Creative Systems - International Conference on Computational Creativity, Coimbra, Portugal.
Arandas, L. (2020) “Artificial Intelligence and the Arts: A Performative Approach to Metacreation.” Proceedings of xCoAx – Conference on Computation, Communication, Aesthetics and X at Graz, Austria.
Arandas, L., Gomes, J., & Penha, R. (2020) Directing Selfness – A Step Back from Digital Collaboration on Stage. Proceedings of the International Conference on Live Interfaces. Trondheim, Norway.
Arandas, L., Gomes, J., & Penha, R. (2019) Towards Large-Scale Artistic Practice with Web Technologies. Proceedings of the Web Audio Conference. Trondheim, Norway.
Arandas, L., Gomes, J., & Penha, R. (2019) Wireplex, An Extended Flow of Data as Distributed Sound Sculpture. Proceedings of the Web Audio Conference. Trondheim, Norway.
Arandas, L., Gomes, J., & Penha, R., Bernardes, G. (2019) Never The Less: A Performance on Networked Art. Proceedings of xCoAx – Conference on Computation, Communication, Aesthetics and X at Milan, Italy.